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1 |
“ºÜ |
‘P’ÊŽ›Žs—§“Œ’†ŠwZ |
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El Camino Lear |
Alfred Reed |
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ˆ»ã’¬—§ˆ»ã’†ŠwZ |
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Second Suite for Band |
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For the Next Thousand |
Otto M.Schwarz |
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‹àÜ
‘ã•\
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Masquerade |
Aram Khachaturian
arr. NAKATA Mamoru |
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“ºÜ |
‚¼Žs—§Ž‡‰_’†ŠwZ |
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El Camino Lear |
Alfred Reed |
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‹âÜ |
‚¼Žs—§÷’¬’†ŠwZ |
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–´—ç’¬—§–´—ç’†ŠwZ |
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Genroku |
KUSHIDA Tetsunosuke |
ŒÃŽs@’m›ß |
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Othello |
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Symphonic Poem Seascape for Band |
MASHIMA Toshio |
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‹âÜ |
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Jan Van der Roost |
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‹àÜ |
‚¼Žs—§‹¦˜a’†ŠwZ |
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Belkis,Regina di Saba |
Ottrino Respighi
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‹âÜ |
“y¯’¬—§“y¯’†ŠwZ |
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Puszta |
Jan Van der Roost |
ät’Ã@”ü•ä |
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‹âÜ |
ŠÛ‹TŽs—§“Œ’†ŠwZ |
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Analog |
Jeff Simmons |
—Ñ–ì@”ü“ÞŽq |
15 |
‹âÜ |
ŠÏ‰¹Ž›Žs—§’†•”’†ŠwZ |
II |
A Littie Consert Suite |
Alfred Reed |
“ì@@–õŽq |
16 |
‹âÜ |
ŽO–Ø’¬—§ŽO–Ø’†ŠwZ |
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Jubilee Overture |
Phlip Sparke |
ŠÝ“c@_–ç |
17 |
‹àÜ
‘ã•\ |
‚¼Žs—§—´‰_’†ŠwZ |
II |
Feste Romane |
Ottrino Respighi
arr. KIMURA Toshihiro |
“¡“c@‰pW |
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‹âÜ |
‚¼Žs—§“Œ’†ŠwZ |
IV |
ƒEƒCƒ“ƒhEƒAƒ“ƒTƒ“ƒuƒ‹‚Ì‚½‚ß‚Ì
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‹àÜ
‘ã•\ |
ŠÛ‹TŽs—§“ì’†ŠwZ |
IV |
Festive Overture |
Dmitri Shostakovich
arr. D.Hunsberger |
Îì@ˆèŽq |
20 |
‹âÜ |
ì’¬—§ì‘æˆê’†ŠwZ |
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Incantation and Dance |
John Barnes Chance |
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21 |
‹âÜ |
˜lŠÔ’¬—§˜lŠÔ’†ŠwZ |
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Coppellia Ballet Suite |
Leo Delibes
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22 |
‹àÜ |
ˆ»‰Ì’¬—§ˆ»‰Ì’†ŠwZ |
II |
Carmina Burana |
Carl Orff
arr. J.Krance |
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23 |
‹âÜ |
ŽO–ì’¬—§ŽO–ì’Ã’†ŠwZ |
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Puszta |
Jan Van der R00st |
´…@”üŽ÷ |
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‹âÜ |
‰F‘½’Ã’¬—§‰F‘½’Ã’†ŠwZ |
II |
Rapsodie Norvegienne |
Edouard Lalo
arr. YAMAMOTO Kyosei |
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25 |
“ºÜ |
‚¼Žs—§–Ø‘¾’†ŠwZ |
III |
Visions of Flight |
Robert Sheldon |
’†“c@‚ä‚«‚Ì |
26 |
‹âÜ |
‚£’¬—§‚£’†ŠwZ |
III |
L'Arlesienne Suite NO.2 |
Georges Bizet
arr. SUZUKI Eiji |
‘O“c@Š]Žq |
27 |
“ºÜ |
âoŽs—§”’•ô’†ŠwZ |
II |
Centennial Celebration Overture |
James Barnes |
¼–{@œ¨Žq |
28 |
‹âÜ |
‹Õ•½’¬—§‹Õ•½’†ŠwZ |
I |
ƒEƒCƒ“ƒhEƒAƒ“ƒTƒ“ƒuƒ‹‚Ì‚½‚ß‚Ì
Œ¶‘z‹Èu•sŽv‹c‚Ì—·v‚æ‚è |
¬’·’J@@ˆê |
‘啽@@Žõ |
29 |
‹àÜ
‘ã•\ |
ŠÏ‰¹Ž›Žs—§ŠÏ‰¹Ž›’†ŠwZ |
IV |
Variations on A Korean Folk Song |
John Barnes Chance |
–{@_ˆê˜Y |
30 |
‹àÜ
‘ã•\ |
ˆ»“ì’¬—§ˆ»“ì’†ŠwZ |
II |
Visions of Flight |
Robert Sheldon |
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1 |
‹àÜ ‘ã•\ |
‚¼Žs—§‘½”쬊wZ |
ކ‚â‚·‚è‚Ì—x‚è Sandpaper Ballet ƒgƒ‰ƒ“ƒyƒbƒgEƒuƒ‹|ƒX @@EƒAƒ“ƒhEƒJƒ“ƒ^|ƒrƒŒ Trumpet Blues And Cantabile |
Leroy Anderson arr. IWAMOTO Wataru Harry James & Jack Mathias arr. B.Geldard |
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2 |
‹âÜ |
‚¼Žs—§ŒÃ‚¼¬ŠwZ |
ƒfƒBƒYƒj|‚Ì–‚–@‚̉¤‘ Disney's Magic Kingdom ƒƒbƒNƒ“ƒ|ƒ‹‚̉¤—l The King of Rock N'Roll |
arr. James Christensen
arr. Johnnie Vinson |
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3 |
‹àÜ ‘ã•\ |
‚¼Žs—§ˆê‹{¬ŠwZ |
ƒWƒFƒbƒgƒR|ƒXƒ^| Jet Coaster ¢ŠE‚Í“ú‚Ìo‚ð‘Ò‚Á‚Ä‚¢‚é The World is waiting for the sunrise |
㉪”ü•ä arr. GOTO Yo ƒTƒCƒc arr. IWAI Naohiro |
–k“‡@@ˆê |
4 |
‹âÜ |
‚¼Žs—§‰~À¬ŠwZ |
ƒVƒ“ƒO Sing ƒeƒBƒRƒeƒBƒR Tico Tico |
Jhoe Laporso arr. TAKIZAWA Tadashi Z. Ableu arr.TAKIZAWA Tadashi |
ŒF–ì@çt |
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’†ŠwZ‚a•”–åi‚VŒŽ‚R‚O“új‚P‚OF‚R‚O`‚P‚UF‚T‚O
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@@@’c@‘Ì@–¼@@@ |
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ì@@‹È@@ŽÒ |
Žw@Šö@ŽÒ |
1 |
‹àÜ |
”’’¹’¬—§”’’¹’†ŠwZ |
The Old Matador |
David Bobrowitz |
ì–k@’qŒb |
2 |
‹âÜ |
‚¼Žs—§‰®“‡’†ŠwZ |
Elsa's Procession to the Cathedral |
Richard Wagner
arr. L. Cailliet |
¼Œ´@@N |
3 |
“ºÜ |
‘•ªŽ›’¬—§‘•ªŽ›’†ŠwZ |
L' Arlesienne Suite No.2 |
Georges Bizet
arr. SUZUKI Eiji |
“c‰ª@NL |
4 |
‹âÜ |
–ž”Z’¬—§–ž”Z’†ŠwZ |
Carnival of Roses |
Joseph Olivadoti |
á•ô@‘•c |
5 |
‹âÜ |
Š¦ì’¬—§“V‰¤’†ŠwZ |
Symphonic Triptych |
James Edward Curnow |
¼–{@‚¦‚¢Žq |
6 |
“ºÜ |
âoŽs—§“Œ•”’†ŠwZ |
Rhapsodic Episode |
Charles Carter |
–{‘‘@”ü•ÛŽq |
7 |
‹âÜ |
à“c’¬—§˜aŒõ’†ŠwZ |
The Eagle's Triumph |
David Shaffer |
ˆäã@‘”ü |
8 |
‹âÜ |
‚¼Žs—§é“à’†ŠwZ |
First Suite In Eb For Military Band |
Gustav Holst |
–Ø‘º@‚肳 |
9 |
‹àÜ |
ˆø“c’¬—§ˆø“c’†ŠwZ |
@ƒoƒbƒNƒXEƒƒ}|ƒi |
ˆ¢•”@—Eˆê |
‹–ì@—º‰î |
10 |
‹àÜ
‘ã•\ |
‚¼Žs—§ŒÃ‚¼’†ŠwZ |
ƒEƒCƒ“ƒhƒAƒ“ƒTƒ“ƒuƒ‹‚Ì‚½‚ß‚Ì
Œ¶‘z‹Èu•sŽv‹c‚È—·v‚æ‚è |
¬’·’J@@ˆê |
Ζ{@—²s |
11 |
‹âÜ |
‚¼Žs—§—´‰_’†ŠwZ |
Gayane Ballet |
Aram Khachaturian
arr. HYASHI Norito |
“¡“c@‰pW |
12 |
‹âÜ |
Žu“x’¬—§Žu“x’†ŠwZ |
Sinfonia Nobilissima |
Robert Jager |
@@@@ |
13 |
“ºÜ |
“àŠC’¬—§“àŠC’†ŠwZ |
Westport Overture |
James Barnes |
“¡ˆä@@‹I |
14 |
‹âÜ |
‘½“x’Ã’¬—§‘½“x’Ã’†ŠwZ |
Beyond The Higher Skies |
Robert Sheldon |
Š}Œ´@爤 |
15 |
“ºÜ |
‚¼Žs—§‘¾“c’†ŠwZ |
Westport Overture |
James Barnes |
ЉY@C¶ |
16 |
“ºÜ |
m”ö’¬—§m”ö’†ŠwZ |
ƒAƒCƒ‹ƒ‰ƒ“ƒh–¯—w•Ï‘t‹È |
™‰Y@–MO |
²“¡@”ü–çŽq |
17 |
‹àÜ |
‘åì’¬—§‘åì‘æˆê’†ŠwZ |
Œ³˜\ |
KUSHIDA Tetunosuke |
¬@—L² |
18 |
‹àÜ ‘ã•\
Å—DG |
“ì’¬—§“ì’†ŠwZ |
Galilean Moons |
Roger Cichy |
–¾Î@‰pŒh |
19 |
“ºÜ |
‚¼Žs—§Ÿ‰ê’†ŠwZ |
Alvamar Overture |
James Barnes |
ҒΫ@tӟ |
20 |
‹âÜ |
‚¼Žs—§ˆê‹{’†ŠwZ |
Autumn from The Seasons Ballet |
Alexander. Glazounov
arr. SATO Masato |
“çâ@Œ›’j |
21 |
‹àÜ |
–L’†’¬—§–L’†’†ŠwZ |
‘tŠy‚Ì‚½‚ß‚Ì
‚¨‚Ä‚à‚â‚ñE‚à‚®‚ç’Ç‚¢ |
¬ŽR@´–Î |
—§Î@•xŽq |
22 |
“ºÜ |
‰–]’¬—§‰–]’†ŠwZ |
Carmen Suite No.2 |
Georges Bizet
arr. YAMAMOTO Kyosei |
’·’Jì@iŽq |
23 |
‹âÜ |
ˆÁŽ¡’¬—§ˆÁŽ¡’†ŠwZ |
Ross Roy |
Jacob de Haan |
ì“c@—R‰ÀŽq |
24 |
‹âÜ |
ŠwZ‘g‡—§ŽO–L’†ŠwZ |
Ross Roy |
Jacob de Haan |
ãX@Žõ‰ëŽq |
25 |
‹àÜ |
ì‘åŠw•t‘®‚¼’†ŠwZ |
The Hounds of Spring |
Alfred Reed |
’J@@Œ› |
26 |
‹âÜ |
’·”ö’¬—§’·”ö’†ŠwZ |
Alvamar Overture |
James Barnes |
•yŽR@ŒöŽq |
27 |
‹âÜ |
‘P’ÊŽ›Žs—§¼’†ŠwZ |
Rikudim four Israeli
Folkdances for Banc |
Jan Van der Roost |
¼–{@—TŽq |
28 |
‹âÜ |
‚¼Žs—§‹Ê‘”’†ŠwZ |
Alvamar Overture |
James Barnes |
ŠâàV@KŽq |
29 |
‹àÜ |
Žu“x’¬—§Žu“x“Œ’†ŠwZ |
Gllen Miller Medley |
Gllen Miller
arr. IWAI Naohiro |
•x“c@”ü•ä |
30 |
“ºÜ |
’Óc’¬—§’Óc’†ŠwZ |
ƒEƒCƒ“ƒhƒAƒ“ƒTƒ“ƒuƒ‹‚Ì‚½‚ß‚Ì
Œ¶‘z‹Èu•sŽv‹c‚È—·v‚æ‚è |
¬’·’J@@ˆê |
“Þ—Ç@”ü‰f |
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Eê•”–åi‚VŒŽ‚R‚O“új‚P‚VF‚O‚O`‚P‚VF‚P‚T
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Ü |
@@@’c@‘Ì@–¼@@@ |
‰Û‘è‹È |
Ž©@—R@‹È |
ì@@‹È@@ŽÒ |
Žw@Šö@ŽÒ |
1 |
‹àÜ ‘ã•\ |
‚¼Žs–ðŠ‘tŠy’c |
III |
The Merry Widow Selection |
Franz Lehar arr. SUZUKI Eiji |
쌳@‹`G |
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ˆê”Ê•”–åi‚VŒŽ‚R‚O“új‚P‚VF‚P‚T`‚P‚VF‚S‚T
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Ü |
@@@’c@‘Ì@–¼@@@ |
‰Û‘è‹È |
Ž©@—R@‹È |
ì@@‹È@@ŽÒ |
Žw@Šö@ŽÒ |
1 |
‹àÜ |
ŠÏ‰¹Ž›Žs–¯‘tŠy’c |
IV |
Dance of the Tumblers |
Nikolai-Rimsky-Korsakov arr. Vosbein |
–{@_ˆê˜Y |
2 |
‹àÜ ‘ã•\ |
‚¼Žs–¯‘tŠy’c |
II |
Daphnis et Chloe |
Maurice Ravel arr. HAYASHI Norito |
‹àì@Œö‹v |
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‚“™ŠwZ‚a•”–åi‚VŒŽ‚R‚P“új‚P‚OF‚O‚O`‚P‚QF‚O‚O
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Ü |
@@@’c@‘Ì@–¼@@@ |
Ž©@—R@‹È |
ì@@‹È@@ŽÒ |
Žw@Šö@ŽÒ |
1 |
‹àÜ ‘ã•\ |
âo¤‹Æ‚“™ŠwZ |
Toccata for Band |
Frank Erickson |
ŒÃ¯@Fs |
2 |
‹âÜ |
ŠÛ‹T鼂“™ŠwZ |
Dynamica |
Jan Van der Roost |
ŽO–Ø@LÆ |
3 |
“ºÜ |
Žu“x‚“™ŠwZ |
ƒ}|ƒ`EƒGƒCƒvƒŠƒ‹EƒƒC |
–î•”@’j |
¬—Ñ@˜a‘ã |
4 |
ŠüŒ |
‚¼÷ˆä‚“™ŠwZ |
@ |
@ |
ŠÛŽR@–¾•F |
5 |
‹âÜ |
”ÑŽR‚“™ŠwZ |
Tequila |
Chuck Rio arr. MYOKOIN Masato |
“‡“c@Cì |
6 |
‹âÜ |
‹Õ•½‚“™ŠwZ |
Song of The Prairie |
Rex Mitchell |
‹ÊŠ_@“¿Žq |
7 |
‹âÜ |
ŽO–{¼‚“™ŠwZ |
Canadian Sketches |
David Shaffer |
‰ª‹´@’¼Ž÷ |
8 |
‹àÜ |
s½Šw‰€‚“™ŠwZ |
Œ³@@˜\ |
KUSHIDA Tetsunosuke |
–쑺@_Žj |
9 |
‹âÜ |
“y¯‚“™ŠwZ |
Peer Gynt Suite |
Edvard Hagerup Grieg arr. ITO Naoki |
’†“‡@ºˆê |
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‚“™ŠwZ‚`•”–åi‚VŒŽ‚R‚P“új‚P‚RF‚O‚O`‚P‚UF‚R‚O
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Ü |
@@@’c@‘Ì@–¼@@@ |
‰Û‘è‹È |
Ž©@—R@‹È |
ì@@‹È@@ŽÒ |
Žw@Šö@ŽÒ |
1 |
‹àÜ ‘ã•\ |
‚¼¤‹Æ‚“™ŠwZ |
I |
Nocturnes |
Claud Debussy arr. TATEBE Tomohiro |
‘O“c@•ü‹I |
2 |
‹àÜ |
ŠÏ‰¹Ž›‘æˆê‚“™ŠwZ |
I |
Tosca |
Giacomo Puccini arr. SUZUKI Eiji API MATUSHIGE |
¼”É@“N˜N |
3 |
‹àÜ ‘ã•\ |
ŠÛ‹T‚“™ŠwZ |
IV |
Der Freishuts |
Carl Maria von Weber arr. YODO Akira |
‘ºŽR@‰pˆê |
4 |
‹âÜ |
‚¼“ì‚“™ŠwZ |
IV |
La Vie Breve |
Manuel de Falla arr. NAKATA Mamoru |
‘D‹´@NŽu |
5 |
“ºÜ |
ì’†‰›‚“™ŠwZ |
II |
Gayane Ballet |
Aram Khachaturian arr. HAYASHI Norito |
‹àì@Œö‹v |
6 |
“ºÜ |
‚¼“Œ‚“™ŠwZ |
I |
Romaan Carnival Overture |
Hector Berlioz arr. V.F.Safranek |
‰iˆä@ts |
7 |
‹âÜ |
‚¼‚“™ŠwZ |
I |
Ireland : of Legend&Lore |
Robert W.Smith |
’·ˆä@Ÿ—m |
8 |
“ºÜ |
‚¼¼‚“™ŠwZ |
III |
Second Suite for Band |
Alfred Reed |
’r“à@ŽõŽ÷ |
9 |
‹âÜ |
‚£‚“™ŠwZ |
IV |
Aladdin Suite |
Carl Nielsen arr. Johan de Meij |
ŽR“à@—R‰À |
10 |
‹àÜ ‘ã•\ |
âo‚“™ŠwZ |
I |
Karelia Suite |
Jean Sibelius arr. Piet van Mever |
ŽR“c@‰pŽi |
11 |
‹âÜ |
‘P’ÊŽ›‘æˆê‚“™ŠwZ |
II |
East Coast Pictures |
Nigel Hess |
‹{è@—mŽ¡ |
12 |
‹âÜ |
ŽO–Ø‚“™ŠwZ |
I |
‘tŠy‚Ì‚½‚ß‚ÌŒð‹¿Ž u‚®‚é‚è‚æ‚´v‚æ‚è |
ˆÉ“¡@N‰p |
“n•Ó@–¾Šó”ü |
13 |
‹àÜ ‘ã•\
Å—DG |
‚¼‘æˆê‚“™ŠwZ |
III |
Variation on a Hungarian Folksong "The Peacock" |
Zoltan Kodaly arr. MORITA Kazuhiro |
Îì@FŽi |
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“ºÜ |
Žl‘Šw‰@‘åŠw |
II |
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